{"id":11625,"date":"2014-06-14T21:06:37","date_gmt":"2014-06-14T18:06:37","guid":{"rendered":"http:\/\/mesenaatti-cms.karolina.io\/?p=11625"},"modified":"2015-09-09T17:10:56","modified_gmt":"2015-09-09T14:10:56","slug":"revolution","status":"publish","type":"post","link":"https:\/\/mesenaatti-cms-2026.karolina.io\/en\/revolution\/","title":{"rendered":"The Manual for Revolution – Documentary film"},"content":{"rendered":"

\u00a0<\/a><\/p>\n

espa\u00f1ol<\/h2>\n

In 2006 Evo Morales wins the presidential elections as the first indigenous president in the history of Bolivia. The most important promises of the new government were the nationalization of the natural resources and the recognition of the indigenous people rights, after 500 years under colonization. The Movement Towards Socialism fulfils major social changes and improvements, which the oppressed people just dreamed about for centuries until now.<\/p>\n

Our film is a story about the first steps of a new time with leftist indigenous in the power. How is it now when Bolivia has gone forward on the revolutionary road? Has there been a truly improvement in the indigenous peoples lives?\u00a0 And how does the future look like?<\/i><\/p>\n

We are a team of film professionals, working within Inland Film Company: Bolivian producer and director Jussi Oroza, known for his worldwide renown and awarded last documentary production \u201cVoices of El Alto\u201d (competition IDFA 2013); producer Sami Laitinen, known for his last feature film still in the movie theatres \u201cChanges\u201d, script writer Hanna Apajalahti, a journalist and expert in Latin America; production assistant Anna Recasens, with a wide experience in film production coordination, including one of the last documentaries of Peter von Bagh.<\/p>\n

\"kuva<\/a><\/p>\n

The audience of this film will join the way of the new revolutionary time. We will see the concrete changes in the people lives, and the role that Bolivian women take in it. Also we will hear what remains of Che Guevara in the story. We will take a path crossing the moisture jungle and salt flat, the marketplaces of the cities and the coca fields, which are part of the millennium Indigenous culture and indeed coca leave is not cocaine.<\/p>\n

The nature of Bolivia becomes one main character: the Andean scenery, the lake Titicaca, Amazonia and the birds of the jungle, the sound of the wind, the colour-scheme of the rain and the landscape. Also, the colours in textiles, fruits, the sun, Bolivian folk- and popular music, voices in the city, songs of women, drums, pipes and horns of the bands.<\/p>\n

Almost half of the world\u2019s lithium is found in Bolivia. In the law, Pachamama (Mother Earth) has the same rights as people and Evo Morales is fighting against climate change. How to combine the economical interests, like mining, with those rights?<\/p>\n

\"kuva<\/a><\/p>\n

Why this film needs to be made now?<\/h2>\n

In the 2014 elections Evo Morales won the presidency for the third time with the 61% of the votes. The celebration of the revolutionary decade will take place in January 2016. Furthermore the director Jussi Oroza has been following with his camera the Bolivian political scene since 1993, establishing close relationships with the old and the new government.<\/p>\n

Latin America is going through changing times. The leftist movements are leading the fight against the global neo-liberalism. This film has hope and trusts in democratic power: another kind of world is possible. Europe is in a crisis in many ways, now it could be good for people to see how things are handled in the New World.<\/p>\n

\"kuva<\/a><\/p>\n

Production plan<\/h2>\n

The shooting of the film will be divided in two times. In the autumn of 2015 our small, but effective team will travel to Bolivia for ten days: camera operator, director and sound designer. They will spend time in villages and cities, to film the daily life of the locals and to find and get to know well the main characters of the film.<\/p>\n

The second part will take place in January 2015, counting on a larger film crew and bigger technical equipment. We are going to follow the lives of the chosen characters. We will arrange interviews with ministers, the president of Bolivia and other politicians. Also we will include the voices of older and actual Bolivian politicians.<\/p>\n

In this new democratic Bolivia, also there are people against the power, who criticise the practices of the actual government. Those voices need to be heard as well. In addition, we will get access to archive documents and journalistic material. Therefore we will co-work with local Bolivian press. In 2006-2008 our team got to follow the reception of the president too.<\/p>\n

\"kuva<\/a><\/p>\n

Budget<\/h2>\n

The minimum of funding that we expect is 20.000 Euros, as it follows.<\/p>\n

20 000\u20ac:<\/p>\n

Small-scale crew, TV-report style. This means 2 people team (Jussi Oroza and Sami Laitinen), taking the different roles: director, producer, camera operator, sound designer and editor.<\/p>\n

60 000\u20ac (or more):<\/p>\n

Production crew three times bigger. 50% more of the total days of shooting. More soundtrack and archive footage.\u00a0 More shooting of landscape and character\u2019s stories. High artistic quality of the documentary film, in order to submit it to film festivals.<\/p>\n

We are aiming for more funding from other sources to achieve our goal. Join us!<\/p>\n

\u00a0<\/span><\/p>\n

<\/a><\/p>\n

El manual para la revoluci\u00f3n<\/h1>\n

El manual para la revoluci\u00f3n es un largo-documental sobre la revoluci\u00f3n ind\u00edgena de Bolivia, Evo Morales, Pachamama, Indios y gringos. Cuando el pueblo dice: \u00a1Ya basta!<\/p>\n

En 2006 Evo Morales fue elegido democr\u00e1ticamente como primer presidente ind\u00edgena en la historia de Bolivia. Las primordiales promesas del nuevo gobierno fueron la nacionalizaci\u00f3n de los recursos naturales y el reconocimiento de los derechos de los ind\u00edgenas, despu\u00e9s de haber estado colonizados durante 500 a\u00f1os. El Movimiento al Socialismo consigui\u00f3 enormes cambios sociales y mejoras, convirti\u00e9ndose en un sue\u00f1o hecho realidad para los que han sido oprimidos hasta el momento.<\/p>\n

Nuestro documental cuenta la historia sobre los primeros pasos hacia una nueva era de ind\u00edgenas izquierdistas en el poder. \u00bfCu\u00e1l es la situaci\u00f3n ahora, cuando Bolivia ya lleva una d\u00e9cada de revoluci\u00f3n?\u00bf Cu\u00e1les han sido las verdaderas mejoras en la vida ind\u00edgena? \u00bfC\u00f3mo se presenta el futuro?<\/i><\/p>\n

Somos un colectivo de profesionales del cine trabajando en colaboraci\u00f3n con Inland Film Company: el productor y director boliviano Jussi Oroza, conocido por su \u00faltima internacionalmente reconocida en IDFA 2013 y premiada producci\u00f3n documental \u201cVoces de El Alto\u201d, adem\u00e1s de ; el productor Sami Laitinen, cineasta conocido por su \u00faltimo largometraje estrenado en los cines \u201cMuutoksii\u201d; la guionista Hanna Apajalahti, periodista y experta en Lationamerica; y la asistenta de producci\u00f3n Anna Recasens, con variada experiencia en coordinaci\u00f3n de producci\u00f3n cinematogr\u00e1fica, incluyendo una de las \u00faltimas obras de Peter von Bagh.<\/p>\n

\"kuva<\/a><\/p>\n

El espectador se encuentra en el mismo camino de esta revolucionaria nueva era. Observaremos los cambios concretos en la vida de estas gentes y la participaci\u00f3n de las mujeres bolivianas en la causa. Tambi\u00e9n escuchamos el rol de Che Guevara en esta historia. Viajaremos a trav\u00e9s de la selva, salares, mercados de la ciudad, ya tambi\u00e9n los emblem\u00e1ticos campos de coca, s\u00edmbolo milenario de la cultura ind\u00edgena, distinta a la coca\u00edna narc\u00f3tica.<\/p>\n

La naturaleza de Bolivia toma un rol especial: el paisaje andino, el lago Titicaca, el Amazonas y sus p\u00e1jaros, el sonido del viento, la lluvia, etc. Tambi\u00e9n nuestra c\u00e1mara captar\u00e1 los colores de los tejidos, las frutas, el sol, la m\u00fasica popular, las voces de la ciudad, el canto de las mujeres, los tambores de las orquestras, de las flautas y las trompas.<\/p>\n

En Bolivia se encuentran los salares de litio m\u00e1s grandes del mundo. En la nueva ley, Pachamama (Madre Tierra) recibe los mismos derechos humanos que la poblaci\u00f3n boliviana, adem\u00e1s Evo Morales intenta combatir el alarmante cambio clim\u00e1tico. Pero,\u00a0 \u00bfc\u00f3mo es posible combinar esta dimensi\u00f3n del Pachamama con los intereses econ\u00f3micos de la explotaci\u00f3n minera en\u00a0 Bolivia?<\/p>\n

\"kuva<\/a><\/p>\n

Por qu\u00e9 se debe realizar este documental ahora?<\/h2>\n

En el a\u00f1o 2014 Evo Morales gan\u00f3 las elecciones por tercera vez con un 61% de los votos, tomando su presidencia en enero del 2015. La celebraci\u00f3n de los diez a\u00f1os de revoluci\u00f3n tendr\u00e1n lugar en Bolivia en enero del 2016. Adem\u00e1s, el director Jussi Oroza lleva filmando los movimientos pol\u00edticos de Bolivia desde 1993, y mantiene cercanas relaciones con el viejo y el nuevo poder boliviano.<\/p>\n

Am\u00e9rica Latina pasa por una era de cambios. Los movimientos de izquierda toman la lucha en contra del neo-liberalismo global. Esta pel\u00edcula conf\u00eda en el poder de la democracia: otro distinto mundo es posible. Ahora Europa est\u00e1 viviendo una crisis, es momento de observar como se tratan las cosas en este nuevo mundo.<\/p>\n

\"kuva<\/a><\/p>\n

Plan de producci\u00f3n<\/h2>\n

El documental se filmar\u00e1 en dos partes. En oto\u00f1o del 2015, nuestro reducido pero eficaz equipo de rodaje viajar\u00e1 a Bolivia durante 10 d\u00edas: cinemat\u00f3grafo, director y sonidista. Filmar\u00e1n el d\u00eda a d\u00eda de pueblos y ciudades, para encontrar a los protagonistas del documental y sus historias.<\/p>\n

La segunda parte del rodaje tendr\u00e1 lugar en enero del 2016, con un equipo de rodaje y de producci\u00f3n mayor. Continuaremos filmando las historias de los personajes que seleccionamos en el primer rodaje. Tambi\u00e9n planeamos hacer entrevistas a ministros, al mismo presiente y otros pol\u00edticos. Adem\u00e1s entablaremos amistad con pol\u00edticos bolivianos actuales y ya retirados para conocer su punto de vista.<\/p>\n

En la Bolivia democr\u00e1tica tambi\u00e9n existen detractores del poder que critican al gobierne actual y sus pr\u00e1cticas. Por lo cual esta voz debe ser escuchada.\u00a0 Adem\u00e1s nos documentaremos con material de archivo, tanto hist\u00f3rico como period\u00edstico. Tambi\u00e9n trabajamos en cooperaci\u00f3n con la prensa local boliviana. Entre 2006 y 2008 ya tenemos filmaciones de la \u00e9poca en que tuvo lugar la recepci\u00f3n del presidente al poder.<\/p>\n

\"kuva<\/a><\/p>\n

Presupuesto<\/h2>\n

La financiaci\u00f3n m\u00ednima a la que aspiramos es de 20.000 euros.<\/p>\n

20 000\u20ac:<\/p>\n

Rodaje limitado, estilo TV- reportaje. Eso significa que dos profesionales (Jussi Oroza y Sami Laitinen) se reparten los roles de director, cinemat\u00f3grafo, sonidista, editor y productor.<\/p>\n

60 000\u20ac (o m\u00e1s):<\/p>\n

Tres veces m\u00e1s grande el equipo de producci\u00f3n descrito anteriormente. Un 50% m\u00e1s del total de los d\u00edas de rodaje. M\u00e1s banda sonora y material de archivo con derechos. Mucho m\u00e1s material de seguimiento y escenarios. Calidad art\u00edstica elevada, propia de documental apto para participar en festivales de cine.<\/p>\n

Adem\u00e1s se busca financiaci\u00f3n de otras fuentes para asegurar nuestra meta. \u00danete a la causa!<\/p>","protected":false},"excerpt":{"rendered":"

\u00a0 espa\u00f1ol In 2006 Evo Morales wins the presidential elections as the first indigenous president in the history of Bolivia. The most important promises of the new government were the nationalization of the natural resources and the recognition of the indigenous people rights, after 500 years under colonization. The Movement Towards Socialism fulfils major social […]<\/p>\n","protected":false},"author":4216,"featured_media":11813,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","footnotes":""},"categories":[1105,378],"tags":[1482,90,226,1485,1486,1484,1483],"class_list":["post-11625","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pan-nordic-kampanja","category-kulttuuri-2","tag-bolivia","tag-coca","tag-documentary","tag-evo-morales","tag-mas","tag-pachamama","tag-revolution"],"acf":[],"_links":{"self":[{"href":"https:\/\/mesenaatti-cms-2026.karolina.io\/en\/wp-json\/wp\/v2\/posts\/11625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mesenaatti-cms-2026.karolina.io\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mesenaatti-cms-2026.karolina.io\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mesenaatti-cms-2026.karolina.io\/en\/wp-json\/wp\/v2\/users\/4216"}],"replies":[{"embeddable":true,"href":"https:\/\/mesenaatti-cms-2026.karolina.io\/en\/wp-json\/wp\/v2\/comments?post=11625"}],"version-history":[{"count":0,"href":"https:\/\/mesenaatti-cms-2026.karolina.io\/en\/wp-json\/wp\/v2\/posts\/11625\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mesenaatti-cms-2026.karolina.io\/en\/wp-json\/wp\/v2\/media\/11813"}],"wp:attachment":[{"href":"https:\/\/mesenaatti-cms-2026.karolina.io\/en\/wp-json\/wp\/v2\/media?parent=11625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mesenaatti-cms-2026.karolina.io\/en\/wp-json\/wp\/v2\/categories?post=11625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mesenaatti-cms-2026.karolina.io\/en\/wp-json\/wp\/v2\/tags?post=11625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}